The magazine has had an impact on the profession (Page 2)


I am aware of the hurdles confronting the production of architectural magazines in India. For example, I was involved with Gautam Bhatia in some of his abortive attempts to produce a 'serious' journal on architecture. Each attempt faltered, primarily for want of a sustainable financial model. That A+D has managed to survive - and flourish - for 25 years Stands to its credit. It has accomplished this, perhaps, by presenting its contents in a Coffee-table format. Nevertheless, the magazine has published a reasonable content mix, which has contributed to at least some architectural dialogue in the country. This, though not in full measure, is the success of A+D.

Each of the three institutions now faces new challenges as they look to the future: circumstances which prevailed when they were established have changed, not least because of their own contributions. But in architectural matters, notwithstanding the shining buildings of Gurgaon, NOIDA, et.al, the issues identified with Manju and Razia 25 years ago remain largely unattended. Architects have not been able to improve the quality of the built environment for a majority of the country's citizens, both rural and urban; they have not been able to mediate what Howard Davis calls 'the culture of building to meet the exigencies of an economically and socially transforming society; architecture in India remain fixated on issues defined by economically developed societies in the expectation that our architecture would benefit if it emulated theirs. My opinion then, as now, is that A+D should focus on these issues in future.

I am, however, fortunate that I was (and still am) associated with all three 1984 initiatives. INTACH projects taught me to rethink our architectural and spatial paradigms; feminism made me a better human being and in the process a more sensitive architect; and A+D gave me the opportunity to formulate and articulate my intellectual transformation catalysed through my association with INTACH and feminism, and present it to a wider audience. I remain deeply indebted to all three.


The End.

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